The main task of a good sound producer is a comfortable sound on stage and in the audience. He also has to help the performers to wholly convey their art to the listener!
As a sound producer, I have gone through all the stages of evolution in the versatile area of "sound workshop". From studios to stadiums!
Working in the studio, I started with the "warm analog" of the 90-s (analog recording equipment), multi-channel film, studio patch panels and heaps of "racks". Currently I am working in the programs, well-known in music industry: Logic Pro, Pro Tools, Nuendo.
To work with a live sound, a sound producer requires maximum attention and control, because during the concert he has no right to be wrong.
I had in my hands dozens of analog and digital mixing consoles:
DiGiCo, Allen Heath, Soundcraft, Yamaha, Digidesign, Midas, etc.
I worked with such stars as Phil Perry, Goran Bregovic, T. A. T. U, In-Grid, Boney M, O-zone, Dan Balan, Zdob [si] Zdub.
As a chief engineer, I worked at the international festivals in Romania, Germany, Russia, Moldova:
Old Miller, Tuborg Fest, MTV days, the Golden Stag, Woodstock, Wine Day, Folk You.
